{"id":8733,"date":"2016-05-23T10:10:52","date_gmt":"2016-05-23T10:10:52","guid":{"rendered":"http:\/\/www.knowhowtransfer.com\/?p=8733"},"modified":"2016-10-13T18:53:26","modified_gmt":"2016-10-13T18:53:26","slug":"behind-the-scenes-of-a-professional-photoshoot","status":"publish","type":"post","link":"https:\/\/www.knowhowtransfer.com\/store\/behind-the-scenes-of-a-professional-photoshoot\/","title":{"rendered":"Behind the Scenes of a Professional Photoshoot"},"content":{"rendered":"

[et_pb_section admin_label=”section”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_text admin_label=”Intro” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

After many, many years as a photographer, I\u2019m still fascinated by magic that happens behind the camera of every breathtaking shot. This is uniquely possible when all the elements come together in harmony \u2013 the light, camera, lens, cables, equipment, with the beauty in the foreground and the action in the background. Join me\u00a0behind the camera on some of my favorite photoshoots.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_image admin_label=”Backstage Divina Bugatti” src=”https:\/\/d3qibwwkc7urrh.cloudfront.net\/wp-content\/uploads\/2014\/08\/01122821\/Divina-Bugatti-Backstage.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid” alt=”The backstage for the book Divina Bugatti of Franco Maria Ricci at Muse\u00e9 National del l\u2019Automobile in Mulhouse, Alsace.” title_text=”The Backstage for Divina Bugatti Photoshoot”]<\/p>\n

[\/et_pb_image][et_pb_text admin_label=”Divina Bugatti Title” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

1. Book Divina Bugatti for the Italian Publisher Franco Maria Ricci. 1992<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off” custom_css_main_element=”margin-top:20px;margin-bottom:10px;”][et_pb_column type=”1_2″][et_pb_image admin_label=”Image” src=”https:\/\/d3qibwwkc7urrh.cloudfront.net\/wp-content\/uploads\/2014\/08\/01122813\/Bugatti_Royale_Type41.jpg” show_in_lightbox=”on” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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The backstage for Divina Bugatti at Muse\u00e9 National del l\u2019Automobile in Mulhouse, Alsace.<\/span><\/em><\/strong><\/p>\n

Before taking this picture I changed the position of the lights to hide my \u201cprofessional secrets.\u201d At that time is was uncommon to share information.
Read more: Divina Bugatti: Behind a Shooting for a Great Book ><\/a><\/strong>
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Years later I shot the Bugattis again with the same lighting and style. Continue reading to learn more.<\/span><\/em><\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_image admin_label=”Backstage Pisanello” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2014\/08\/Backstage_Pisanello.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][et_pb_text admin_label=”Pisanello’s Painting Title” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

2. Repro of Pisanello’s Painting Saint George and the Princess. Verona Santa Anastasia 2005<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off” custom_css_main_element=”margin-top:20px;margin-bottom:10px;”][et_pb_column type=”1_2″][et_pb_image admin_label=”Image” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2014\/08\/Pisanello_Saint_George_and_the_Princess_detail.jpg” show_in_lightbox=”on” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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Hasselblad Microstep at a height of 47 feet<\/span><\/em><\/strong><\/p>\n

I noticed that at a specific hour, the natural light was perfect on the right hand side but the center and left were in the shadow. After approximately half an hour, it was perfect at the centre and so on. So I shot this in five takes, with a one hour of lag. I planned to shoot in microstep mode, at 16 shots in order to obtain 88Mp shots. Initially this seemed unattainable because of the absolute stability required by this shooting mode, where the slightest hint of micro vibration would have produced an unusable, pixelated file.\u00a0 read more ><\/a><\/strong>
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Camera: Hasselblad 528MS in Microstep\/88MP Mode – Lens: Hasselblad 80mm<\/span><\/em><\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_image admin_label=”Backstage Avenger” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2014\/08\/Backstage_Avenger.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][et_pb_text admin_label=”Avenger Title” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

3. Front \u00a0Page\u00a0Pictures for Avenger Catalog. Bassano 2005<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off” custom_css_main_element=”margin-top:20px;margin-bottom:10px;”][et_pb_column type=”1_2″][et_pb_image admin_label=”Image” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2014\/08\/Intro_Clamp_Avenger.jpg” show_in_lightbox=”on” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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Challenging the possibilities offered by the system<\/strong><\/span><\/em><\/p>\n

I have been working with Manfrotto for over twenty-five years. It has always been an important client, especially as an important brand for many photographers. This project for Avenger, a brand of Manfrotto, required the pictures to be backlit with the products on a white, glossy, reflective surface. This kind of lighting, however, was less than ideal for black and steel objects with no transparencies.
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Camera: Hasselblad 528MS in Multi Shot mode – Lens: Hasselblad 80mm<\/span><\/em><\/p>\n

Read more about Manfrotto in Backlight ><\/strong><\/a>
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_text admin_label=”Line” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_image admin_label=”Backstage Leonardo” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2016\/04\/SelfPortrait_Backstage_3.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][et_pb_text admin_label=”Leonardo Title” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

4. Hi-Res Repro of Leonardo da Vinci Drawings. Biblioteca Reale Torino<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off” custom_css_main_element=”margin-top:20px;margin-bottom:10px;”][et_pb_column type=”1_2″][et_pb_image admin_label=”Backstage Leonardo” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2016\/04\/SelfPortrait_Backstage_1.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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Hasselblad high resolution<\/strong> <\/span><\/em><\/p>\n

I used various Hasselblad digital backs with the \u201cmultishot\u201d or \u201cmicrostep\u201d settings, with very high resolutions up 88 Mp which turned out to be of key importance in serving exceptional results. This was not just a pointless display of power, but necessary to capture every last detail. The lens used is a 120mm macro, extraordinary and capable of supporting unbelievable resolutions. The multishot reproduction allows for very loyal color, without interpolation. For this reason, the natural sharpness, without the use of a mask, is incredible and shows every single shade.<\/span><\/em><\/p>\n

Hasselblad H528MS – Lens:Hasselblad 120mm
The drawings of Leonardo da Vinci in High Resolution ><\/strong><\/a><\/span>
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_text admin_label=”Line” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_image admin_label=”Backstage Louvre” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2016\/05\/backstage_medusa_louvre2.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][et_pb_text admin_label=”The Raft of the Medusa Title” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

5. FMR Art Magazine. The Raft of the Medusa. Louvre, Paris. 2008<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off” custom_css_main_element=”margin-top:20px;margin-bottom:10px;”][et_pb_column type=”1_2″][et_pb_image admin_label=”Image” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2014\/08\/The_raft_pf_the_medusa.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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Mus\u00e9e du Louvre. Paris. The Raft of the Medusa, by Theodore Gericault.<\/strong> <\/span><\/em><\/p>\n

I was introduced to the Louvre by Italian publisher Franco Maria Ricci. His Art Magazine was probably one of the most prestigious art magazine in the world, so they closed this room for four hours just for me. This was a lot considering that Da Vinci\u2019s, \u201cGioconda\u201d is kept in the next room.<\/span><\/em><\/p>\n

At first I was really disheartened as the situation was very difficult. The Museum Director gave me strict limits regarding strobe power. Additional problems were created by the huge skylights that added reflections to the painting.<\/span><\/em><\/p>\n

Hasselblad H39MS – Lens:Hasselblad 8omm<\/span>
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_image admin_label=”Backstage Manfrotto Campaign” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2014\/08\/Manfrotto_Ad_Campaign_Backstage_2668.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][et_pb_text admin_label=”Manfrotto Campaign Title” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

6. Manfrotto Ad Campaign. Bassano del Grappa, 2009<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off” custom_css_main_element=”margin-top:20px;margin-bottom:10px;”][et_pb_column type=”1_2″][et_pb_image admin_label=”Image” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2016\/04\/Joystick_Adv.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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In fall 2009 Manfrotto, world-leader in photo and video professional support, launched a corporate adv campaign on its brand, featuring the Manfrotto logo, and the company\u2019s flagship products. The agency chosen for the job was the Italian Claim Advertising, and I was called in to capture the flagship products. The session took place at Francesco Parolin Studios at Bassano del Grappa. <\/em><\/span><\/p>\n

Camera: Hasselblad 528MS in Multishot mode. Lens: 80mm + Tilt&Shift Adapter
How to Shoot technical Products ><\/strong><\/a>
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_image admin_label=”Backstage Palazzo Madama” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2014\/08\/Backstage_Palazzo_Madama_2542.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][et_pb_text admin_label=”Palazzo Madama Title” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

7. FMR Art Magazine. The Iron Masterpieces of Palazzo Madama. Torino 2008<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off” custom_css_main_element=”margin-top:20px;margin-bottom:10px;”][et_pb_column type=”1_2″][et_pb_image admin_label=”Image” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2014\/08\/placche_da_stipo_palazzo_madama_11.jpg” show_in_lightbox=”on” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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After many, many years as a photographer, I\u2019m still fascinated by magic that happens behind the camera of every breathtaking shot. This is uniquely possible when all the elements come together in harmony \u2013 the light, camera, lens, cables, equipment, with the beauty in the foreground and the action in the background.<\/em><\/span><\/p>\n

Camera: Hasselblad 528MS – Lenses: Hasselblad 120mm Macro<\/em><\/span><\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_image admin_label=”Backstage Gitzo Athena” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2014\/08\/Gitzo_electronic_head_115.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][et_pb_text admin_label=”Gitzo Athena Title” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

8. Gitzo Athena Electronic Head. 360\u00b0 Presentation. 2009<\/h3>\n

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It\u2019s not easy to set the lights for a 360\u00b0 presentation. You must set up the lights, rotate the subject, tweak the lights, rotate again, tweak the lights again until you find a\u00a0 setting that works properly for all the steps.<\/em><\/span><\/p>\n

Camera: Olympus EP2 + Leica 50 Summicron
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_image admin_label=”Backstage Gypsoteca Canova” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2014\/08\/backstage_gyspoteca_canova.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][et_pb_text admin_label=”Gypsoteca Canova Title” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

9. Book: Antonio Canova. L\u2019invenzione della Bellezza. Gypsoteca Canova, Possagno 2008<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off” custom_css_main_element=”margin-top:20px;margin-bottom:10px;”][et_pb_column type=”1_2″][et_pb_image admin_label=”Image” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2014\/08\/Canova_Bassorilievo_08.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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From the beginning to the end of this photoshoot I had goose bumps, in awe of the beauty of the sculptures all around me, and the equally stunning location. The Possagno Sculpture Gallery, which holds all the original master copies of Canova\u2019s sculptures, was redesigned by famous Italian architect Carlo Scarpa in a beautiful natural setting.<\/span><\/em><\/p>\n

This is the only one of my books that I don\u2019t have a copy of. The retail price of the book was \u20ac100.000\/$115.000. Sixteen copies were printed, eight were donated to the heads of state at the G8 meeting, the other eight sold.<\/span><\/em><\/p>\n

Camera: Hasselblad 528MS in Micro Step \/ 88MP mode – Lens. Hasselblad 120 macro<\/span><\/em><\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_text admin_label=”Line” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_image admin_label=”Backstage Sant’Angelo in Formis” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2014\/08\/Backstage_S_Angelo.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][et_pb_text admin_label=”St Michael Archangel Title” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

10. Art Book: St Michael Archangel Abbey in Formis. Capua 2010<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off” custom_css_main_element=”margin-top:20px;margin-bottom:10px;”][et_pb_column type=”1_2″][et_pb_image admin_label=”Image” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2014\/08\/Sant_Angelo_In_Formis_detail.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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Most of the pictures were taken from 15 to 35ft high.
I shot remotely using the Gitzo Athena Motorized Head<\/span><\/em><\/p>\n

Camera: Hasselblad 528MS – Lenses: Hasselblad 80mm and 120mm Macro<\/span><\/em><\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_text admin_label=”Line” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_image admin_label=”Backstage Madonna della Seggiola” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2014\/08\/Backstage_Madonna_della_Seggiola.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][et_pb_text admin_label=”Madonna della seggiola Title” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

11. Fine Art Print. Raphael’s Madonna della Seggiola. Palazzo Pitti Florence 2013<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off” custom_css_main_element=”margin-top:20px;margin-bottom:10px;”][et_pb_column type=”1_2″][et_pb_image admin_label=”Image” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2014\/08\/Madonna_della_seggiola_detail.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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During this project, I worked for hours with goosebumps. The room was full of iconic masterpieces. The big problems here were the huge, thick frame which created a shadow on the painting as well as the thick glass which also happened to be not perfectly transparent.
<\/em><\/span><\/p>\n

Camera: Hasselblad 50MS in four shots mode. Lens: Hasselblad HC Macro f\/4 120mm
<\/em><\/span><\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_text admin_label=”Line” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_image admin_label=”Backstage Micro set” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2016\/04\/Micro_set.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][et_pb_text admin_label=”Minimal Micro Set Title” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

12. Art Book. Minimal Micro Set. Milano 2010<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off” custom_css_main_element=”margin-top:20px;margin-bottom:10px;”][et_pb_column type=”1_2″][et_pb_image admin_label=”Image” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2016\/04\/XVIIth_century_anvil.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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I love this picture. This is by far my smallest set. \u00a0The funny thing is that for this customer I usually work in luxury location.<\/em><\/span><\/p>\n

Camera: Hasselblad 50MS in four shots mode. Lens: Hasselblad HC Macro f\/4 120mm
<\/em><\/span><\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_text admin_label=”Line” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_image admin_label=”Backstage Bugatti Castiglione” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2014\/08\/Bugatti_Meeting_Backstage1.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][et_pb_image admin_label=”Backstage Bugatti Castiglione” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2016\/04\/Backstage_Bugatti_Meeting2.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][et_pb_text admin_label=”Bugatti Meeting Title” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

13. The Bugatti Centennial Meeting. Castiglione della Pescaia, 2009<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off” custom_css_main_element=”margin-top:20px;margin-bottom:10px;”][et_pb_column type=”1_2″][et_pb_image admin_label=”Image” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2014\/08\/Bugatti_Type40_Frascari.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][et_pb_image admin_label=”Image” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2016\/04\/Bugatty_Type37A_Flighty.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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Extract of the article by Susanne Schmitt from Victor by Hasselblad Magazine<\/strong><\/em><\/span><\/p>\n

Who ever said immaculately lit, majestic looking photographs of luxurious automobiles could only be achieved in a studio? Roberto Bigano, Italian photographer specializing in seemingly insurmountable challenges, proves the opposite true.
At the great Bugatti centennial gathering in Castiglione della Pescaia in Tuscany, Bigano and his team set about creating glamorous, studio-like images of the most beautiful and indulgent Bugattis ever built.
Using an H3DII-39MS multi-shot camera, the shoot took place right before the eyes of the many Bugatti fans beside the main entrance of Hotel Roccamare in the middle of the Tuscan countryside.<\/em><\/span><\/p>\n

Bugatti Type 40. Owner Andrea Frascari.
Hasselblad 39DMS. Lens: Hasselblad Zoom Wide 50-110mm f\/3.5<\/em><\/span><\/p>\n

Read more about Bugatti professional photoshoot
The Bugatti Sessions for Victor by Hasselblad ><\/a><\/strong>
Shooting Cars on Location ><\/a><\/strong>
Roberto Bigano. The Bugatti Portfolio – Victor by Hasselblad ><\/a><\/strong>
Download the hi-res pdf and watch it in double page view mode ><\/a><\/strong><\/em><\/span><\/p>\n

 <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_image admin_label=”Stuff” src=”https:\/\/www.knowhowtransfer.com\/store\/wp-content\/uploads\/2016\/04\/Stuff_ckeck.jpg” show_in_lightbox=”off” url_new_window=”off” animation=”off” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid” custom_margin=”15|||”]<\/p>\n

[\/et_pb_image][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

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Francesco and Andrea checking the stuff before leaving.
<\/em><\/span><\/p>\n

[\/et_pb_text][et_pb_text admin_label=”My stuff for 2009 shooting” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

My Equipment\u00a0for the Bugatti Shooting<\/h3>\n

[\/et_pb_text][et_pb_tabs admin_label=”Tabs” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

[et_pb_tab title=”Tripod & Heads” tab_font_select=”default” body_font_select=”default”]<\/p>\n

1 Manfrotto 475B \u2013 Photo tripod<\/em><\/span>
1 Manfrotto 410 \u2013 Geared Head<\/em><\/span>
1 Manfrotto 547B \u2013 Video Tripod<\/em><\/span>
1 Manfrotto 701HDV \u2013 Video Head<\/em><\/span>
1 Manfrotto\u00a0 MBAG100 \u2013 Tripod bag<\/em><\/span>
1 Manfrotto 269HDB-3U \u2013 Look out tripod-stand<\/em><\/span><\/p>\n

[\/et_pb_tab][et_pb_tab title=”Stands” tab_font_select=”default” body_font_select=”default”]<\/p>\n

3 Manfrotto 1004BAC \u2013 Black Alu Air Cushioned Stackable stand<\/em><\/span>
4 Manfrotto 003 \u2013 Backlite Base<\/em><\/span>
4 Manfrotto 156BLB \u2013 Black Alu Low Mini Pro Stand<\/em><\/span>
4 Manfrotto 001B \u2013 Black Alu Nano Stand<\/em><\/span>
1 Avenger A0010 \u2013 Steel Baby Stand<\/em><\/span>
1 Manfrotto 022 G-PESO \u2013 Counterweight<\/em><\/span>
1 Manfrotto 023 L-PESO \u2013 Counterweight<\/em><\/span>
1 Manfrotto G300 \u2013 Sand Bag<\/em><\/span><\/p>\n

[\/et_pb_tab][et_pb_tab title=”C Stands and light control system” tab_font_select=”default” body_font_select=”default”]<\/p>\n

2 Avenger A2016D \u2013 C-Stand 16 Detachable<\/em><\/span>
1 Avenger A2022D \u2013 C-Stand 16 Detachable<\/em><\/span>
3 Avenger D200 \u2013 Grip Head<\/em><\/span>
2 Avenger D250 . Gag Gobo<\/em><\/span>
2 Avenger D500 \u2013 20\u2033 Extension Grip Arm<\/em><\/span>
2 Avenger D520 \u2013 40\u2033 Extension Grip Arm<\/em><\/span>
1 Avenger I1010 \u2013 Meat Axe Flag 30\u00d736\u2033\/75x90cm . Black Cloth<\/em><\/span>
1 Avenger I1021 \u2013 Cutter 18\u00d748\u2033\/46x120cm . Black Cloth<\/em><\/span>
1 Avenger I1031 \u2013 Floppy Cutter 24\u00d772\u2033\/60x182cm . Black Cloth<\/em><\/span><\/p>\n

[\/et_pb_tab][et_pb_tab title=”Butterfly Modular Frame System” tab_font_select=”default” body_font_select=”default”]<\/p>\n

1 Avenger Modular Frame Set \u2013\u00a0 20\u00d720 \u2013 6,10\u00d76,10 mt<\/em><\/span>
6 Avenger tubes 4\u00d74, 122\u00d7122 \u2013 with balancing accessories for background<\/em><\/span>
4 Avenger A3043CS \u2013 Overhead steel stand 43 with bracked wheels<\/em><\/span><\/p>\n

[\/et_pb_tab][et_pb_tab title=”Lights and Mix” tab_font_select=”default” body_font_select=”default”]<\/p>\n

4 Manfrotto 143N \u2013 Magic Arm<\/em><\/span>
9 Manfrotto 035 \u2013 Super Clamp<\/em><\/span>
4 Manfrotto 386B \u2013 Nano Clamp<\/em><\/span>
8 Manfrotto 271 \u2013 Panel Clamp<\/em><\/span>
2 Manfrotto 171 \u2013 Mini clamp<\/em><\/span>
8 Manfrotto 013 \u2013 Adapter Spigot<\/em><\/span>
8 Arri Junior 1000 \u2013 Fresnel Spot Light<\/em><\/span>
2 Lastolite foldable panels<\/em><\/span><\/p>\n

[\/et_pb_tab]<\/p>\n

[\/et_pb_tabs][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off” transparent_background=”off” background_color=”#2ea3f2″ allow_player_pause=”off” inner_shadow=”off” parallax=”off” parallax_method=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” make_equal=”off” use_custom_gutter=”off”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_cta admin_label=”Call To Action” title=”YOUR BACKSTAGE PICTURES WANTED FOR THE NEXT POST!!” button_url=”mailto:info@knowhowtransfer.com?subject=My backstage pictures” url_new_window=”off” button_text=”SEND YOUR BACKSTAGE PICTURES NOW!” use_background_color=”on” background_color=”#2ea3f2″ background_layout=”dark” text_orientation=”center” use_border_color=”off” border_color=”#ffffff” border_style=”solid” custom_button=”on” button_letter_spacing=”0″ button_use_icon=”default” button_icon_placement=”right” button_on_hover=”on” button_letter_spacing_hover=”0″ button_text_color=”#f7f7f4″ button_border_width=”2″ button_border_color=”#ffffff” button_bg_color=”#2ea3f2″]<\/p>\n

The main backstage picture must be 1080px or larger. Please add also the picture you shot in that specific backstage; this must be 700px or larger.<\/p>\n

[\/et_pb_cta][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

After many, many years as a photographer, I\u2019m still fascinated by magic that happens behind the camera. Join me, for some of my favorite photoshoots.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

Sometimes people watch a photograph and say. Awesome, great shot! This a talented photographer. Ok. Talent\u00a0and professional skills are required, but behind them there is organization....<\/p>","_et_gb_content_width":"","footnotes":""},"categories":[111,1],"tags":[116,117],"class_list":["post-8733","post","type-post","status-publish","format-standard","hentry","category-photography","category-uncategorized","tag-backstage","tag-professional-photography"],"_links":{"self":[{"href":"https:\/\/www.knowhowtransfer.com\/store\/wp-json\/wp\/v2\/posts\/8733","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.knowhowtransfer.com\/store\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.knowhowtransfer.com\/store\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.knowhowtransfer.com\/store\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.knowhowtransfer.com\/store\/wp-json\/wp\/v2\/comments?post=8733"}],"version-history":[{"count":0,"href":"https:\/\/www.knowhowtransfer.com\/store\/wp-json\/wp\/v2\/posts\/8733\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.knowhowtransfer.com\/store\/wp-json\/wp\/v2\/media?parent=8733"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.knowhowtransfer.com\/store\/wp-json\/wp\/v2\/categories?post=8733"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.knowhowtransfer.com\/store\/wp-json\/wp\/v2\/tags?post=8733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}